Tako Sztuka Europy Wschodniej. Tom 2 - Praca zbiorowa

Polska - Rosja. Sztuka i historia. Tom II zawiera część artykułów z I Konferencji Polskich i rosyjskich Historyków Sztuki Polska-Rosja. Tom / Vol. II, 2014, POLSKA - ROSJA: SZTUKA I HISTORIA / $528$529$530$531$532$533 - $534$535$536$537$538$539:

$540$541$542$543$544$545$546$547$548 $549$550$551$552$553$554$555$556 / POLAND - RUSSIA: ART AND HISTORY II: Sztuka polska, sztuka rosyjska i polsko-rosyjskie kontakty artystyczne XX-XXI wieku / $557$558$559$560$561$562$563$564 $565$566$567$568$569c$570$571$572, $573$574$575$576$577$578$579 $580$581$582$583c$584$585$586$587 $588 $589$590$591$592$593$594$595-$596$597$598$599$600$601$602 $603$604$605$606$607$608$609$610$611$612$613$614$615$616 $617$618$619$620$621$622$623$624 $625$626-XXI $627$628$629o$630 / Polish art, Russian art and Polish-Russian artistic relations of XX-XXI century, red. /eds. Jerzy Malinowski, Irina Gavrash & Zofia Krasnopolska-WesnerSpis treści / Contents: Jerzy Malinowski, Wstęp / $631$632 $633$634$635$636$637$638$639$640/ Introduction; SZTUKA W BUDOWIE NOWEGO SPOŁECZEŃSTWA / $641 $642$643$644$645$646$647$648$649$650$651 $652$653$654$655$656$657 $658$659$660$661$662$663$664$665 / ART IN THE PROCESS OF BUI LDIN G NEW SOCIETY:

$666$667$668$669$670 $671. $672$673$674$675$676$677$678$679$680$681, $682$683 $684$685$686$687$688$689$690$691$692$693$694$695 $696 $697$698$699$700$701$702$703 $704$705$706$707$708$709$710$711$712$713$714 $715$716$717$718$719$720$721$722 $723$724$725$726$727$728 $729$730 $731$732$733$734 / Y. F. Tsionglinsky (Jan Ciągliński) and the Russian Avant-garde painting; $735$736$737$738$739$740$741 $742. $743$744$745$746$747, $748 $749$750$751$752$753$754$755 ,,$756$757$758$759$760$761$762$763$764$765 $766$767$768$769$770 $771$772$773$774$775$776$777$778 $779$780$781$782$783$784$785$786$787". $788 $789$790$791$792$793$794$795$796$797$798$799$800$801 $802$803$804$805$806$807$808$809 $810.

$811. $812$813$814$815$816$817 1900-$818 $819$820./ To the sources of the "eastern wing of the Russian avant-garde". About the A. A . Kokel's 1900s little-known paintings; Małgorzata Geron, Obrazy wielopłaszczyznowe Tytusa Czyżewskiego i skulptomalarstwo Aleksandra Archipenki / Multi-plane paintings by Tytus Czyżewski and sculpto-painting of Alexander Archipenko; $821$822$823$824$825 $826. $827$828$829$830$831$832$833$834$835, $836$837$838 $839$840$841$842$843$844$845$846$847$848 $849$850$851$852$853$854$855$856$857 / How can one render protolanguage$858; $859$860$861$862$863$864$865$866 $867. $868$869$870$871$872$873$874, $875$876$877$878$879$880$881 $882$883$884$885$886$887$888 $889$890$891 $892$893$894$895$896$897$898$899$900$901$902$903$904$905 $906$907$908$909$910$911 / Kazimir Malevich as an art-critic; $912$913$914$915$916$917 $918$919.

$920$921$922$923$924$925$926$927$928$929, ,,$930$931$932$933$934$935$936$937" $938$939$940$941$942$943$944$945$946$947 $948$949$950$951$952$953$954$955$956$957$958 $959$960$961$962$963$964$965$966$967 $968$969$970$971$972$973$974 $975$976$977$978$979$980$981$982 $983 $984$985$986$987$988-$989$990$991$992$993$994$995$996$997$998-$999$1000$1001$1002$1003$1004$1005$1006$1007$1008: $1009$1010$1011$1012 ($1013$1014 $1015$1016$1017$1018$1019$1020 $1021$1022$1023$1024$1025$1026) $1027$1028$1029$1030$1031$1032$1033$1034 $1035$1036$1037$1038$1039$1040$1041$1042$1043$1044 (1890-1950) $1045 $1046$1047$1048$1049$1050$1051$1052 $1053$1054$1055$1056$1057$1058$1059$1060$1061$1062$1063 $1064$1065$1066$1067$1068$1069$1070 (1879-1935) ($1071$1072 $1073$1074$1075$1076$1077$1078$1079$1080$1081$1082$1083$1084$1085$1086$1087$1088 $1089$1090$1091$1092$1093$1094$1095$1096$1097$1098) / "Polish" Fellows of the Institute of Art History in St. Petersburg-Leningrad: Jan Tadeusz Bogdan Żarnowski (Ivan Ivanovich Zharnovskij) (1890-1950) and Kazimir Malevich (1879-1935) (on unpublished material); $1099$1100$1101$1102$1103$1104$1105 $1106. $1107$1108$1109$1110$1111$1112, $1113$1114$1115$1116$1117$1118$1119 $1120$1121$1122$1123$1124$1125$1126 $1127 $1128$1129$1130$1131$1132$1133$1134$1135$1136$1137$1138$1139 $1140$1141$1142$1143$1144$1145$1146$1147$1148$1149$1150$1151$1152$1153$1154 $1155$1156$1157$1158$1159 $1160$1161$1162$1163$1164$1165$1166$1167 $1168 $1169$1170$1171$1172$1173$1174$1175.

$1176$1177$1178$1179$1180$1181$1182$1183$1184 $1185 $1186$1187$1188$1189$1190$1191$1192$1193$1194$1195; Kazimir Malevich. Specific of his life through the view of the psychology; Artur Kamczycki, Mistyczne narzędzia awangardy rosyjskiej. Przykład El Lissitzky'ego / The mystic tools of the Soviet avant-garde. The case of El Lissitzky; Janusz Zagrodzki,Władysław Strzemiński - obrazy słów / Władysław Strzemiński - picture words; $1196$1197$1198$1199$1200$1201$1202 $1203. $1204$1205$1206$1207$1208$1209$1210, $1211$1212$1213$1214$1215$1216$1217$1218 $1219 $1220$1221$1222$1223$1224$1225$1226$1227$1228$1229 $1230$1231$1232$1233$1234$1235 $1236$1237$1238$1239$1240$1241$1242$1243 ($1244$1245$1246$1247$1248$1249 1920-30-$1250 $1251$1252$1253$1254$1255) / Avant-garde and construction of the New Man:

utopias of the 1920s-30s ; $1256$1257$1258$1259$1260$1261 $1262. $1263$1264$1265$1266$1267$1268$1269$1270$1271, $1272$1273$1274$1275$1276$1277$1278$1279$1280$1281$1282$1283$1284 $1285$1286$1287$1288$1289 $1290$1291 $1292$1293$1294$1295 $1296 $1297$1298$1299$1300$1301$1302$1303$1304$1305$1306 $1307. $1308. $1309$1310$1311$1312$1313$1314$1315$1316 (1888-1941) / International style Art Deco and the output of N. A. Rusakov (1888-1941); $1317$1318$1319$1320$1321 $1322. $1323$1324$1325$1326$1327$1328$1329$1330, $1331$1332$1333$1334$1335$1336$1337$1338$1339$1340$1341 $1342$1343$1344$1345$1346$1347$1348$1349$1350 $1351$1352$1353$1354$1355$1356$1357 ($1358 $1359$1360$1361$1362$1363$1364$1365 $1366$1367$1368$1369$1370$1371$1372$1373$1374 $1375$1376$1377$1378$1379$1380$1381 1920-$1382 $1383$1384$1385$1386$1387) / Graphical group Rider (Vsadnik) (to the history of Soviet engraving of the 1920s); $1388$1389$1390$1391$1392 $1393.

$1394$1395$1396$1397$1398$1399$1400$1401$1402, $1403$1404$1405$1406 $1407 $1408$1409$1410$1411$1412$1413$1414$1415 $1416$1417$1418$1419$1420$1421$1422$1423$1424$1425$1426$1427$1428- $1429$1430$1431$1432$1433$1434$1435$1436$1437$1438$1439$1440$1441$1442$1443$1444$1445 $1446$1447$1448$1449$1450$1451$1452$1453$1454$1455 $1456$1457$1458$1459$1460$1461$1462$1463$1464$1465$1466$1467 $1468$1469$1470$1471$1472$1473 ($1474$1475$1476$1477$1478) $1479 $1480$1481$1482$1483$1484$1485$1486$1487$1488$1489$1490 $1491$1492$1493$1494$1495$1496$1497$1498$1499 $1500$1501$1502$1503$1504$1505 / The role and significance of constructive and experimental workshop of modern theatre (K$1506MST); Tadeusz Barucki, Awangardowa architektura radziecka ze szczególnym uwzględnieniem twórczości Konstantina Melnikowa / Soviet avantgarde architecture and Konstantin Melnikov as one of its leading architects; Tomasz Śleboda, Twórczość Edgara Norwertha / The output of Edgar Norwerth; $1507$1508$1509$1510$1511 $1512$1513$1514$1515$1516$1517$1518$1519, $1520. $1521. $1522$1523$1524$1525$1526$1527$1528$1529$1530$1531$1532 $1533 $1534$1535$1536$1537$1538$1539$1540$1541 $1542$1543$1544$1545$1546$1547$1548$1549$1550$1551$1552 $1553$1554 $1555$1556$1557$1558$1559 / S. V. Dombrovsky and the Polish architects in the Urals; Joanna Kucharzewska, Radzieccy i polscy architekci wobec ,,maszyny do mieszkania" / Soviet and Polish architects towards "a machine for living"; $1560$1561$1562$1563$1564$1565$1566 $1567. $1568$1569$1570$1571$1572$1573$1574$1575, $1576$1577 $1578$1579$1580$1581$1582$1583$1584 $1585$1586$1587$1588$1589$1590$1591$1592$1593$1594$1595$1596$1597 $1598$1599$1600$1601$1602$1603$1604 $1605 $1606$1607$1608$1609$1610$1611$1612 ,,$1613$1614$1615$1616$1617$1618$1619 $1620$1621$1622$1623$1624$1625": $1626$1627$1628$1629$1630$1631$1632$1633$1634$1635$1636$1637$1638 $1639$1640$1641$1642$1643$1644$1645$1646$1647$1648$1649$1650$1651$1652$1653$1654$1655 $1656$1657$1658$1659$1660$1661$1662$1663$1664 $1665$1666$1667$1668$1669$1670 $1671$1672$1673 / From the project of reconstruction of Breslau to the scheme of "Greater Moscow":

transformation of E. May's town-planning concept; Piotr Juszkiewicz, Życie codzienne w mieście liniowym / Quotidian life in the linear city. SZTUKA I POLITYKA / $1674$1675$1676$1677$1678$1679$1680$1681$1682 $1683 $1684$1685$1686$1687$1688$1689$1690$1691 / ART AND POLITICS: $1692$1693$1694$1695$1696$1697$1698$1699$1700 $1701. $1702$1703$1704$1705$1706$1707$1708, $1709$1710$1711$1712$1713 $1714$1715$1716$1717$1718$1719 $1720 $1721$1722$1723$1724$1725$1726$1727$1728$1729 $1730$1731$1732$1733$1734$1735$1736$1737$1738$1739 $1740 1922-1939 $1741$1742.

($1743$1744 $1745$1746$1747$1748$1749$1750$1751$1752$1753$1754 $1755$1756$1757$1758$1759$1760$1761 ,,$1762$1763$1764$1765$1766$1767$1768$1769"); The Image of Poland in the Soviet caricature of the interwar period (on "Crocodile" materials); $1770$1771$1772$1773$1774$1775$1776 $1777. $1778$1779$1780$1781$1782$1783$1784$1785, ,,$1786$1787$1788$1789$1790" $1791 $1792$1793$1794$1795$1796$1797$1798 $1799$1800$1801$1802$1803$1804$1805$1806$1807 $1808$1809$1810$1811$1812$1813 1920-1940-$1814 $1815$1816$1817$1818$1819: $1820$1821$1822$1823$1824$1825 $1826$1827$1828$1829$1830$1831 / "The Others" in the palekh lacquer miniature of 1920-30 years: the case of Poland; $1832$1833$1834$1835$1836$1837 $1838. $1839$1840$1841$1842$1843$1844$1845$1846$1847, $1848$1849$1850$1851$1852$1853$1854$1855$1856$1857 $1858 $1859$1860$1861$1862$1863$1864$1865$1866 $1867 $1868$1869$1870$1871$1872$1873$1874$1875$1876$1877 $1878$1879$1880$1881$1882$1883 $1884$1885$1886$1887$1888$1889$1890$1891$1892 $1893$1894$1895$1896$1897$1898$1899$1900$1901$1902 ($1903 $1904$1905$1906$1907$1908$1909 $1910$1911$1912$1913$1914$1915$1916$1917$1918 $1919$1920$1921$1922$1923$1924$1925$1926$1927 $1928$1929$1930 $1931$1932$1933$1934$1935$1936$1937$1938$1939$1940$1941$1942 $1943$1944$1945$1946$1947$1948) / Beside adaptation and rebellion.

Vladimir Favorsky. Choices of an artist in a totalitarian state; Katarzyna Kulpińska, ,,Czarna kreska na białym tle" - drzeworyt radziecki w polskiej krytyce artystycznej lat 30. XX w. i jego oddziaływanie na grafikę polską / "Black line against white background" - Soviet woodcut in Polish art criticism of the 1930s and its influence of Polish graphic art; Iwona Luba, Paradoks sztuki oficjalnej. Polsko-rosyjsko-radziecki galimatias / The Paradox of the official Polish art: Polish-Russian/Soviet hotch potch ; $1949$1950$1951$1952$1953$1954$1955$1956 $1957.

$1958$1959$1960$1961$1962$1963$1964$1965$1966,,,$1967$1968$1969$1970$1971$1972$1973$1974$1975$1976$1977$1978$1979$1980$1981$1982 $1983$1984$1985$1986$1987$1988$1989" $1990 $1991$1992$1993$1994$1995$1996$1997$1998$1999$2000$2001$2002$2003$2004 $2005$2006$2007$2008$2009$2010$2011$2012 $2013 $2014$2015$2016$2017$2018$2019 ($2020$2021$2022$2023$2024$2025$2026$2027$2028 $2029$2030$2031$2032$2033$2034$2035$2036$2037$2038$2039$2040$2041 $2042$2043$2044$2045 $2046$2047$2048$2049$2050$2051 1930-1980-$2052 $2053$2054$2055$2056$2057) / Socialist realism in the art and arts' theory (the sorry, negative experience of the Russia 1930-1980); $2058$2059$2060$2061$2062$2063$2064 $2065. $2066$2067$2068$2069$2070$2071$2072$2073$2074$2075$2076, $2077$2078$2079 $2080$2081$2082$2083$2084 ,,$2085$2086$2087$2088$2089$2090$2091$2092$2093$2094$2095$2096$2097$2098$2099$2100 $2101$2102$2103$2104$2105$2106$2107" $2108 $2109$2110$2111$2112$2113$2114$2115$2116$2117$2118$2119$2120 / What is "Socialist Realism" in architecture$2121; $2122$2123$2124$2125$2126 $2127. $2128$2129$2130$2131$2132$2133, $2134$2135$2136$2137$2138$2139$2140$2141$2142$2143$2144$2145$2146 $2147$2148$2149$2150$2151$2152$2153$2154 $2155 $2156$2157$2158$2159 1930-$2160 $2161$2162$2163$2164$2165 $2166 $2167$2168$2169$2170$2171$2172$2173$2174$2175$2176$2177$2178 $2179$2180$2181$2182$2183$2184$2185$2186 $2187$2188$2189$2190$2191$2192$2193$2194$2195$2196$2197 $2198$2199$2200$2201$2202$2203$2204$2205$2206$2207 $2208$2209 $2210$2211$2212$2213 $2214 $2215$2216$2217$2218$2219$2220$2221$2222$2223$2224$2225 / Architectural competitions in the Soviet Union during the 1930s and the formation of Soviet Art Deco and neo-classical styles; $2226$2227$2228$2229$2230$2231$2232$2233$2234 $2235. $2236$2237$2238$2239$2240$2241$2242$2243$2244$2245$2246, $2247$2248$2249$2250$2251$2252$2253$2254$2255$2256$2257$2258$2259$2260$2261$2262 $2263$2264$2265$2266$2267$2268$2269$2270 $2271$2272$2273$2274$2275$2276$2277$2278$2279$2280$2281 $2282 $2283$2284$2285$2286$2287$2288$2289$2290$2291$2292 / Repressive Polish architects in Kazakhstan; $2293$2294$2295$2296 $2297$2298$2299$2300$2301$2302$2303, $2304$2305$2306$2307$2308$2309$2310$2311$2312$2313 $2314$2315$2316$2317$2318$2319 $2320$2321 $2322$2323$2324$2325$2326$2327$2328$2329$2330$2331 $2332$2333$2334$2335$2336$2337$2338$2339$2340$2341$2342$2343: $2344$2345$2346$2347$2348$2349$2350$2351$2352$2353$2354$2355 $2356$2357$2358$2359$2360$2361$2362$2363$2364$2365$2366$2367 $2368$2369$2370$2371$2372$2373$2374 1939 - $2375$2376$2377$2378 1941/ Lviv's acquaintance with the Stalin's socialist realism:

sculpture works during the period October 1939 - June 1941; Aleksandra Sumorok, Socrealizm polski$2379 Socrealizm w Polsce$2380 Relacje architektury polskiej i radzieckiej w latach 1949-1956. Kilka uwag badawczych / Polish socialist realism or socialist realism in Poland$2381 Relation between Polish and Russian architecture in the period of 1949-1956. Selected aspects; Katarzyna Rogalska, Konkursowe projekty architektoniczne i urbanistyczne Zygmunta Stępińskiego z lat 1947-1956. Moskwa - Berlin - Warszawa / Zygmunt Stępiński's architectural and urban competition projects in the years 1947-1956. Moscow - Berlin - Warsaw.

SZTUKA NA EMIGRACJI / $2382$2383$2384$2385$2386$2387$2388$2389$2390 $2391 $2392$2393$2394$2395$2396$2397$2398$2399$2400 / ART IN EXILE: $2401$2402$2403$2404$2405$2406 $2407. $2408$2409$2410$2411$2412$2413$2414, $2415 $2416$2417$2418$2419$2420$2421$2422 $2423 $2424$2425$2426$2427$2428$2429$2430 $2431$2432$2433$2434$2435$2436$2437$2438$2439$2440$2441 $2442$2443$2444$2445 $2446 $2447$2448$2449$2450$2451$2452$2453$2454$2455 $2456$2457$2458$2459$2460$2461$2462$2463$2464 ,,$2465$2466$2467$2468$2469$2470 $2471$2472$2473$2474$2475" / On the question of the fate of the Silver Age in the Russian emigration of the "first wave" in Paris; $2476$2477$2478$2479$2480$2481$2482 $2483. $2484$2485$2486$2487$2488$2489$2490$2491$2492$2493$2494$2495, $2496$2497$2498$2499$2500$2501$2502 $2503$2504$2505$2506$2507$2508$2509$2510$2511$2512$2513$2514$2515$2516 $2517$2518$2519$2520$2521 $2522 $2523$2524$2525$2526$2527$2528$2529$2530$2531. 1920-1930 $2532$2533$2534$2535 / Russian artistic schools in emigration.

1920-1930's; Lila Dmochowska, Z bliska zawsze widać lepiej niż z daleka - Leopold Zborowski i Chaim Soutine widziani oczami kronikarzy życia paryskiej bohemy / Up close, you can see better than ever from afar - Zborowski and Soutine chroniclers of life seen through the eyes bohemian Paris; Małgorzata Maria Grąbczewska, Pierre Choumoff, polsko-rosyjski fotograf paryskiej bohemy / Pierre Choumoff - Polish-Russian photographer of Parisian Bohemia; $2536$2537$2538$2539$2540$2541$2542$2543 $2544. $2545$2546$2547$2548$2549$2550$2551, $2552$2553$2554$2555$2556$2557$2558$2559$2560$2561$2562 $2563$2564$2565$2566$2567$2568$2569$2570 $2571$2572$2573$2574$2575$2576$2577$2578$2579 $2580 $2581$2582$2583$2584$2585$2586 $2587 $2588$2589$2590$2591$2592$2593$2594$2595$2596$2597$2598 $2599$2600$2601$2602$2603 $2604$2605$2606$2607$2608$2609$2610 $2611 $2612$2613$2614$2615$2616$2617 / Architecture of the Russian abroad in Europe and peculiarities of this phenomenon in Poland; Irina Obuchowa-Zielińska, Problemy badań sztuki na uchodźctwie: Polska na mapie rosyjskich badań nad emigracją / The problems in the study of art history: Poland on the map of Russian emigrants studying; $2618$2619$2620$2621$2622$2623$2624 $2625. $2626$2627$2628$2629$2630$2631$2632$2633, $2634$2635$2636$2637$2638$2639$2640 $2641$2642$2643$2644$2645$2646$2647$2648$2649 $2650 $2651$2652$2653$2654$2655$2656$2657$2658$2659:

$2660$2661$2662$2663$2664$2665 $2666$2667$2668$2669$2670$2671$2672 $2673 $2674$2675$2676$2677$2678$2679$2680$2681 $2682$2683$2684$2685$2686$2687 / Dmitry Filosofov in exile: dialogue of cultures and practices to combat; $2688$2689$2690$2691$2692$2693$2694 $2695. $2696$2697$2698$2699$2700$2701$2702$2703, $2704$2705 $2706$2707$2708$2709$2710$2711$2712$2713$2714$2715$2716 $2717$2718$2719$2720$2721$2722$2723: $2724$2725$2726$2727$2728$2729 $2730$2731$2732$2733$2734$2735$2736$2737$2738$2739 - $2740$2741$2742$2743$2744$2745$2746$2747 $2748 $2749$2750$2751$2752$2753$2754$2755 / On the crossroads of cultures: Victor Podgursky - artist and art teacher; $2756$2757$2758$2759$2760 $2761.

$2762$2763$2764$2765$2766$2767$2768$2769$2770$2771$2772, $2773 $2774$2775$2776$2777$2778$2779$2780 $2781$2782$2783$2784$2785$2786$2787$2788$2789 $2790$2791$2792$2793$2794$2795$2796: $2797$2798$2799$2800$2801$2802$2803 $2804$2805$2806$2807$2808$2809$2810$2811$2812$2813$2814 / From history of Siberian Polonia (Polish Diaspora): Kazimir Zelenevsky (Kazimierz Zieleniewski); Jan Wiktor Sienkiewicz, Wyprowadzeni z nieludzkiej ziemi. Artyści wokół Andersa / Marching out of Inhumane Land. Polish Artists around General Anders.

SZTUKA MIĘDZY TOTALITARYZMEM A NOWĄ DUCHOWOŚCIĄ / $2815$2816$2817$2818$2819$2820$2821$2822$2823 $2824$2825$2826$2827$2828 $2829$2830$2831$2832$2833$2834$2835$2836$2837$2838$2839$2840$2841$2842 $2843 $2844$2845$2846$2847$2848 $2849$2850$2851$2852$2853$2854$2855$2856$2857$2858$2859 / ART BETWEEN TOTA LITARIANISM AND THE NEW SPIRITUALITY: $2860$2861$2862$2863$2864 $2865. $2866$2867$2868$2869$2870$2871$2872$2873$2874$2875$2876$2877$2878, $2879$2880$2881$2882$2883$2884$2885$2886$2887$2888$2889$2890$2891 $2892$2893$2894$2895$2896$2897$2898$2899$2900 $2901$2902$2903$2904$2905$2906 $2907 $2908$2909$2910$2911$2912$2913 $2914 1950-1970-$2915 $2916$2917$2918$2919$2920: $2921$2922$2923$2924$2925$2926$2927$2928 $2929$2930$2931$2932$2933$2934$2935 $2936 $2937$2938$2939$2940$2941$2942$2943$2944$2945$2946$2947$2948 $2949$2950$2951$2952$2953$2954$2955$2956$2957 / Russian and Polish art between 1950-1970: collective influence and historical parallels; $2958$2959$2960$2961 $2962.

$2963$2964$2965$2966$2967$2968$2969$2970$2971$2972$2973, $2974$2975$2976$2977$2978$2979$2980$2981$2982$2983 $2984$2985$2986$2987$2988$2989 $2990$2991$2992$2993$2994$2995$2996$2997$2998$2999$3000 $3001$3002$3003$3004$3005$3006$3007 $3008$3009$3010$3011$3012$3013$3014$3015. $3016$3017$3018$3019 $3020$3021$3022$3023$3024$3025$3026$3027$3028$3029$3030$3031$3032$3033$3034 $3035$3036$3037$3038$3039$3040$3041$3042$3043$3044$3045 $3046$3047$3048$3049$3050$3051$3052$3053$3054$3055$3056$3057$3058$3059$3060$3061 $3062$3063$3064$3065$3066$3067$3068 / Pictorial section of Moscow graphic artists' city committee. Experience of different artistic opinions in late Soviet age; Irina Gavrash, Ekspozycja polska na Międzynarodowej Wystawie Sztuki Krajów Socjalistycznych w byłym Maneżu w Moskwie w 1958/1959 / Polish exposition at the International Art Exhibition of Socialist Countries in former Moscow Manege in 1958/1959; Karolina Zychowicz, Nadia Leger za żelazną kurtyną - wystawa Fernanda Legera w Moskwie (1963) i Warszawie (1971) / Nadia Léger behind the iron curtain. The exhibitions of Fernand Léger in Moscow (1963) and Warsaw (1971); $3069$3070$3071$3072 $3073. $3074$3075$3076$3077$3078$3079$3080$3081$3082, ,,$3083$3084$3085$3086$3087$3088$3089 $3090$3091$3092$3093$3094" $3095 $3096$3097$3098$3099$3100$3101$3102$3103$3104 $3105$3106$3107$3108$3109$3110$3111$3112 60-$3113 $3114$3115$3116$3117$3118 ($3119 $3120$3121$3122$3123$3124$3125$3126 $3127 $3128$3129$3130$3131$3132$3133$3134$3135$3136$3137$3138$3139$3140 $3141$3142$3143$3144$3145$3146$3147) / ,,Severe style" in Soviet art of 60.

; $3148$3149$3150$3151$3152 $3153. $3154$3155$3156$3157$3158$3159$3160$3161, $3162$3163$3164$3165 $3166$3167$3168$3169$3170$3171$3172$3173$3174$3175$3176$3177 $3178 $3179$3180$3181$3182$3183$3184$3185$3186$3187$3188 $3189$3190$3191$3192$3193$3194$3195 $3196$3197$3198$3199$3200$3201$3202$3203 $3204$3205$3206$3207$3208$3209$3210 / Vera Kostrovitskaya and pictorial Requiem by Solomon Gershov; Katarzyna Osińska, Kantor - Meyerhold. Paralele / Kantor - Meyerhold: Parallels; Lech Stangret, W oparach traumy. Rosyjskie fascynacje w twórczości Marii Stangret i Tadeusza Kantora - artystów Galerii Foksal / Russians fascination with the works of Maria Stangret and Tadeusz Kantor - Foksal Gallery artists; Waldemar Okoń, Malewicz teraz / Malevich at present; Anna Markowska, Pejzaż ometkowany.

Marka i sygnatura artysty w przestrzeni sztuki Europy Wschodniej po roku 1989 / Branded landscape: an artist's "brand" and signature in the public space of Eastern Europe after 1989; $3211$3212$3213$3214$3215$3216$3217$3218 $3219. $3220$3221$3222$3223$3224$3225, $3226$3227$3228$3229$3230$3231$3232$3233$3234 $3235$3236$3237$3238$3239$3240$3241$3242$3243$3244$3245$3246 $3247$3248$3249$3250$3251$3252$3253$3254$3255 $3256 $3257$3258$3259$3260$3261$3262$3263$3264$3265$3266$3267$3268$3269 $3270$3271$3272$3273$3274$3275 / Ontology of the post-Soviet religious art ; $3276$3277$3278$3279$3280$3281$3282 $3283. $3284$3285$3286$3287$3288$3289$3290, $3291$3292$3293$3294$3295$3296$3297$3298$3299$3300$3301$3302$3303 $3304$3305$3306$3307$3308$3309$3310$3311$3312$3313$3314$3315 $3316$3317$3318$3319$3320$3321$3322$3323 $3324$3325$3326$3327$3328 $3329$3330 $3331$3332$3333$3334. $3335$3336$3337$3338$3339$3340 $3341 $3342$3343$3344$3345$3346$3347$3348.

$3349$3350$3351$3352$3353$3354$3355$3356$3357$3358$3359 $3360$3361$3362$3363$3364$3365$3366$3367$3368$3369$3370$3371 / Painting of the Nizhny Novgorod Diocese of the end of the 20th century. Strokes to history; Jerzy Uścinowicz, Między Wschodem i Zachodem - ekumenizm w sztuce sakralnej pogranicza / Between East and West - ecumenism in the sacral art of the borderland.